© 2026 KWBU
Play Live Radio
Next Up:
0:00
0:00
0:00 0:00
Available On Air Stations

David and Art - Good For Everyone

Sofie Hernandez-Simeonidis

Building cultural institutions is a public responsibility, not just a private one.

I once had a friend remark that there were certain politicians who seemed to automatically oppose any piece of legislation if it benefited everyone equally. I thought about it for a minute and then discovered that couldn't argue.

In terms of those of us who are interested in the arts, cultural infrastructure like public art museums and city parks rank near the top of the list of spaces that benefit everyone equally, at least ideally. The idea of trying to keep people out of a public park, or public pool, or limiting access to public museums by, for instance, prohibitive admission pricing, should really sort of annoy you, if you think about it.

Writing recently in the journal Jacobin, Nick French noted that "nobody's thinking about class struggle as they flip hotdogs on the public grill.... But because they serve the collective good rather than private profits, public parks are a challenge to the logic of capitalism.” In other words, they're a challenge to the accepted notion that I buy and control this and it's mine, and you have the freedom to go out and get your own if you want one too. To French's invocation of public parks, I'd add public pools, zoos, and of course public art museums. These cultural places represent an investment in community in a way that most private interests don't.

A city park or art museum isn't some sort of proto-socialist inroad. But they do represent an investment in a public good that all can enjoy equally. Think back to the 1930s and consider the social aspects of many of the New Deal programs and their ongoing contribution to civic life. The agency called the Works Progress Administration built over 2,300 stadiums, grandstands, and bleachers; more than 50 fairgrounds and rodeo grounds; 1,600 public parks; more than 3,000 playgrounds; over 800 swimming pools; 228 band shells and 138 outdoor theaters. If those aren't your bag, how about this: the WPA built 254 golf courses and over 10,000 tennis courts. You may be playing pickleball on one of them this afternoon.

Think for a minute just how much public enjoyment and public benefit came from all those. Think about the ways in which those places help build public cohesion. The common conviction that holds it all together is that a civic spirit that comes through culture, is a public good not merely a private one.

RECENT EPISODES OF DAVID AND ART
David and Art - Art and National Identity, Part 2
Ideas about national identity don’t just show up in politics—they show up in art and architecture, too. Today on David and Art, host David Smith continues that conversation.
David and Art - "Art and National Identity"
David Smith gives some insight as to how nations use are and architecture to define who they are.
David and Art - "The Art of a Seapower"
Art doesn't just reflect history - it can shape how we see ourselves.
David and Art - “The Theater and the University”
College campuses are places for discovery, and not all of it happens in a classroom. Today on David and Art, host David Smith looks at the role theater can play in a university education.
David and Art - John Cale
Today on David and Art, host David Smith traces the unusual path of a musician whose work helped bridge classical experimentation and rock and roll.
David and Art - A Little Global Perspective
On today's David and Art, David Smith connects Art and History through paintings that reveal how Europe followed the American Civil War, in real time.
David and Art - Open Mic Night
On today’s David and Art, host David Smith takes us inside a jazz club in New York’s West Village for a look at what happens when musicians who’ve never met share a stage—and what that kind of collaboration can teach us.
David and Art - The Artists and the President
Continuing his exploration of the problematic background behind Lynden B. Johnson's White House Arts festival, here's David Smith with this weeks installment of David and Art.
David and Art - When the Art World Came to washington
Despite his advocacy for the arts, Lyndon B. Johnson's tenure in the White House also brought political friction to the creative consciousness of 1960's America. With this week's edition of David and Art, here's David Smith.
David and Art - A Memorial to a Fallen President
On today’s David and Art, host David Smith continues the story of the Kennedy Center, this time focusing on how it became a memorial to a fallen president and what that shift mean for the future of the project.