Fresh Air

Weekdays 3pm and 7pm. Fresh Air Weekend Sat. 7am
  • Hosted by Terry Gross

Fresh Air opens the window on contemporary arts and issues with guests from worlds as diverse as literature and economics. Terry Gross hosts this multi-award-winning daily interview and features program. The veteran public radio interviewer is known for her extraordinary ability to engage guests of all dispositions. Every weekday she delights intelligent and curious listeners with revelations on contemporary societal concerns.

Copyright 2019 Fresh Air. To see more, visit Fresh Air.

DAVE DAVIES, HOST:

In 1961, when President John F. Kennedy announced a goal of "landing a man on the moon and returning him safely to the earth" before the end of the decade, the mission seemed all but impossible.

"[The U.S.] didn't have a spaceship that could fly to the moon," journalist Charles Fishman notes. "We didn't have a rocket that could launch to the moon. We didn't have a computer small enough or powerful enough to do the navigation necessary to get people to the moon. We didn't have space food."

Copyright 2019 Fresh Air. To see more, visit Fresh Air.

DAVE DAVIES, HOST:

DAVE DAVIES, HOST:

This is FRESH AIR. I'm Dave Davies in for Terry Gross, who's off this week.

Jill Ciment is one of those just-under-the-radar writers. Probably her biggest moment of popular recognition came a few years ago, when her novel, Heroic Measures, was made into a film called 5 Flights Up; it starred Diane Keaton and Morgan Freeman as a married couple living in New York City who struggle to get their elderly dog to the vet in the midst of a terror alert. They wind up carrying the dog on a cutting board through the panicked city.

Copyright 2019 Fresh Air. To see more, visit Fresh Air.

DAVE DAVIES, HOST:

Fresh Air Weekend highlights some of the best interviews and reviews from past weeks, and new program elements specially paced for weekends. Our weekend show emphasizes interviews with writers, filmmakers, actors and musicians, and often includes excerpts from live in-studio concerts. This week:

'Dead To Me' Star Christina Applegate: Loss 'Lives In The Fibers Of Your Being': Applegate stars in the new Netflix series as a woman mourning the sudden death of her husband. "I've been there," she says of her character's "messy" and "unapologetic" grief.

Copyright 2019 Fresh Air. To see more, visit Fresh Air.

DAVE DAVIES, HOST:

Copyright 2019 Fresh Air. To see more, visit Fresh Air.

DAVE DAVIES, HOST:

Last year ran me ragged. Every comedian feels bad, all the time. That's why we do comedy. But this felt different. Nothing could get me out of bed. It was two months before a shooting at two mosques in New Zealand that would claim the lives of 51 people, and there I was, checking boxes about my thyroid in a surgeon's waiting room:

"Do you sometimes acutely believe that people hate you?" Yes. I'm Muslim and Iranian.

Copyright 2019 Fresh Air. To see more, visit Fresh Air.

TERRY GROSS, HOST:

Sequels have come to seem inescapable in movies and TV, where the commercial logic is to keep a franchise going — even if it has nowhere to go. That's why I was leery of Season 2 of Big Little Lies. I'd been a fan of the original HBO series, a sneaky deep blend of satire and mystery that built to a satisfying finale in which its sexually violent villain is killed and the show's five heroines testify that his death was an accident. The story was over. But the show was too successful to end.

Christina Applegate describes grief as "completely messy and unexpected and unapologetic." At least that's the way it's portrayed in her new Netflix series, Dead To Me.

The show, which has been described as a "traumedy" (a trauma-infused comedy/drama), centers on two women who meet in a grief support group. Applegate's character, Jen, is dealing with the loss of her husband, who was killed in a hit-and-run car accident.

When CBS All Access unveiled its new version of The Twilight Zone earlier this year, the general consensus was that the initial episodes in the new series had fallen short of Rod Serling's original version. Not only were they unworthy of The Twilight Zone of old, but they also weren't nearly as good, or as smart, as a show that had begun in England in 2011, Black Mirror.

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