Shout! Black Gospel Music Moments

Sundays 8:35 am; Mondays at 4:48am. 6:48am, 8:48am and 5:48pm.
  • Hosted by Robert Darden

Author and Baylor University professor Robert Darden tells stories -- and plays recordings -- from the Baylor University Libraries' Black Gospel Music Restoration Project in an on-going weekly series of two-minute segments. Shout! Black Gospel Music Moments explores the distinctly African-American sound of the "Golden Age of Gospel" (1945-1975). The series celebrates this fertile musical period in American history, presenting cultural snapshots that reveal the depth of a people, their community, and the influence they have had on the rest of American music.

The Thunderbold of the Midwest," Brother Joe May was an incredibly versatile vocalist who never recorded secular music, despite tremendous pressure from his record label. 


Still going strong after 30 years, the Mighty Sons of Glory continue the proud "hard gospel" tradition of their heroes, the Mighty Clouds of Joy. 

"Home Going" is just one of a number of superb, high-energy gospel songs by Detroit native Victoria Hawkins on Houston's funky Peacock label. 


The masterful Soulfully album by the legendary Andrae Crouch and the Disciples is one of their best, in part because of the memorable anthem, "Through It All." 


Beginning in 1946, the beloved Gotham Records label released a host of quality 45s through 1958, including this happy, up-tempo gospel romp, "Lord, I'm Done Done" by Rudolph Lewis. 


Lost in the host of great gospel acts on Savoy in the early 1960s, the Epps Gospel Singers' Just Try Jesus is a wonderfully energetic example of high-energy, joyfully performed g0spel music.


Among the thousands of 45s loaned by gospel historian and collector Bob Marovich is this sweet-spirited gospel tune by the otherwise unknown Sister Stella B. Lawless on the even more obscure Greatco label of Los Angeles.


Shout! Black Gospel Music Moments - "Oh Yes He Will"

Aug 11, 2019

Shreveport's feisty Jewel/Paula label released dozens of songs by a number of great gospel artists - but few with the manic energy of "Oh Yes He Will" by otherwise unkown Johnson Ensemble. 


Shreveport's feisty Jewel/Paula label released dozens of songs by a number of great gospel artists - but few with the manic energy of "Oh Yes He Will" by otherwise unkown Johnson Ensemble. 


Gospel scholars for years have said that Ray Charles' hit "I Got a Woman" is based on the Southern tones' "It Must be Jesus."


Led by bass singer David "Boots" Bower, the King Odom Quartet and the King Odom Four recorded both gospel and secular pop hits, including the bouncy story song, "They Put John on the Island."

  Full song

Philadelphia's Davis Sisters recorded a host of hits for Savoy Records, including "Shine on Me," "I'm Tired," "He's My Precious King" and this rock and roll-flavor number, "Earnestly Praying."


With "Any Stars in My Crown," Jeanette Harris proved that jubilee could sound as emotional as "hard" gospel. Jeanette's rough and raspy voice was the ideal vehicle to convey the urgency and conviction of the very best of gospel music.


Clara Hudmon, better known as the Georgia Peach, was a master of the old-school singing style known as jubilee, which combined a cappella singing with the lyrics often taken directly from the spirituals.


The Jackson Southernaires have released at least 30 stellar gospel albums and had a number of hits, including the seven-minute sermon and song "Too Late," performed by the late, great Willie Banks. 

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