Art and Culture

A special 200th episode featuring the legendary The Mighty Clouds of Joy recorded live in Montreaux, France.

Hear the full track below!

A long time ago, I stumbled on an interesting story by a pair of Ph.D students who gathered up all their worldly belongings, and moved to Botswana to study African Lions and hyenas.  The adventure drew me to them as I read the story of their lives in Africa.  I still have that worn copy, and hardly a year goes by when I am rereading Mark & Delia Owens Cry of the Kalahari.  

I tracked down a signed, hardback, of Cry, and then came upon Secrets of the Savanna.  While not as exciting as Cry, it certainly had loads of interesting stories about Africa, its inhabitants, and above all, the wildlife.

In a prologue by Mark Owens, he wrote: “A heavy fog, thick and white, settled lower over the hills of Masailand in Kenya.  I eased off the power and slowed down but pulled back on the cyclic stick, giving up altitude grudgingly.  Our chopper’s main rotor tore ragged chunks out of the clouds underbelly and

The art world is eager to open up from the quarantine, in part because the arts provide something to a society that it gets from no other source.

A couple of weekends ago, the Museum of Fine Arts in Houston became the first major American art museum to reopen since the country went into lockdown back in March.  On Saturday morning May 23, a score of museum devotees, all in masks and observing proper distancing etiquette,

The Rev. Curtis Watson has been bringing his raspy brand of gospel soul to the gospel highway since the 1960's. 

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On this weeks episode of Conversations With Creative Waco, host Kennedy Sam is joined by Ashley Stone, Founder and Director of Footprintz Dance Company. In the second half of the episode, she has a conversation with local musician, singer, and songwriter Melinda Adams.

Harry’s Trees by Jon Cohen is a most peculiar story.  It begins with a tragic accident.  Jon is the author of two novels before Harry’s.  He was the recipient of an NEA fellowship for creative writing, and he was a cowriter of a film directed by Steven Spielberg.

Jon begins, “Oriana had lost a book.  It’s very special, Olive Perkins, the ancient librarian at the Pratt Public Library had told her.  Somebody had made it by hand.  When Olive gave it to Oriana, she almost couldn’t let go of it.  There was a look in the old woman’s eyes Oriana had never seen before, a fleeting indescribable expression.  Then Olive suddenly did the opposite, pushed The Grum’s Ledger into the young girl’s hands and moved her briskly toward the oak doors [of the Library].  ‘But there’s no due date,’ Oriana said.  Olive still stamped her books the old fashion way, with a rubber stamp on the Date Due slip pasted on the last page.  She was a tiny, bird-boned woman, but the stamp hit a book like John Henry’s hammer.  ‘It’s due when you’re done with it, child,’ Olive said.  She dropped her voice to a whisper.  ‘And remember.  You are my favorite reader, and now you are my

Whether dancers, painters, or sax players, artists are a central part of American society.  When economic trouble hits, it’s good if the rest of us remember that.

Last week I mentioned that within the relief and recovery programs of Franklin Roosevelt’s New Deal during the Great Depression, there were measures specifically designed to help artists who needed relief as much as any American worker.  In helping artists, these programs also nourished American culture.

When you look over the roster of artists who were involved with the New Deal, you’ll find some names you’ve likely heard of.  People like Jackson Pollock, Marsden Hartley, Diego Rivera, Philip Guston, Mark Rothko, John Sloan, Stuart Davis, and  

Vocal powerhouse Inez Andrews was also one of gospel music's most gifted songwriters. 

Hear the full track "Lord Don't Move That Mountain" below!

On this week's episode of Conversations With Creative Waco, host Kennedy Sam is joined in studio by Fiona Bond to discuss Make It In Waco, the new local online marketplace, and tell us more about the Make It Through Corona Fund. Then she has a conversation with Beth Richards, owner and director of the Brazos Theatre. 

M. L. Stedman’s first novel, The Light Between Oceans, is a novel I highly recommend.

Stedman begins this luscious and spell-binding novel with a sorrowful sound.  “On the day of the miracle, Isabel was kneeling at the cliff’s edge, tending the small, newly made driftwood cross.  A single fat cloud snailed across the late-April sky, which stretched above the island in a mirror of the ocean below.  Isabel sprinkled more water and patted down the soil around the rosemary bush she had just planted. For just a moment, her mind tricked her into hearing an infant’s cry.  She dismissed the illusion, her eye drawn instead by a pod of whales weaving their way up the coast to calve in the warmer waters, emerging now and again with a fluke of their tails like needles through tapestry.  She heard the cry again, louder this time on the early morning breeze.  Impossible” (3).

The story is then interrupted by a marvelous description of their island home.  Stedman writes, “From this side of the island, there was only vastness, all the way to Africa.  Here, the Indian Ocean washed into the great Southern Ocean and together they stretched like and endless carpet below the cliffs.  On days like this it seemed so solid she had the impression she could walk to Madagascar in a journey of

Artists are not some kind of abstraction in our culture.  They are real people with real concerns.  It’s good for governments to remember that.

I have to admit, that when I taught the Great Depression this semester, both I and many of my students were struck by the parallels to today. Anyone who knows about American history in the 1930s knows the rough outline. And today, again, when we turn on the news or listen to the radio we’re met by headlines like an unemployment number that’s the highest it’s been since Franklin Roosevelt was inaugurated.  Right now, the federal government is enacting economic assistance programs of the sort that were 

Shirley Caesar's "Life's Mountain Railway" is only one of dozens of memorable tracks by traditional gospel's most defiant - and last - remaining superstar!

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 I finally got a copy of the third volume of Hillary Mantel’s magnificent trilogy, The Mirror and the Light.  Her first two volumes—Wolf Hall and Bring Up the Bodies—garnered well-deserved Booker Prizes.  Hilary’s incredible story—with nearly 1,700 pages—delves into the minutest details of the lives of the interesting family of Oliver Cromwell.

While reading her latest book, I took some notes of interesting passages.  I believe these tidbits will more than whet the appetite for those interested in the period.  Here we go!  Hillary writes, (Page 8) “‘Would that my niece had imitated Katherine [of Aragon] in other particulars’, Norfolk says.  ‘Had she been obedient, chaste and

(Local productions are on hold during the social distance requirements due to Covid-19.  This segment originally aired June 26, 2018.)

David  muses on the widsom of following the crowd.

The combination of jubilee, a cappella singing, and a first-rate band make the under-rated Gate City Singers' "Prayer Changes Things" a truly memorable 45.

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