© 2026 KWBU
Play Live Radio
Next Up:
0:00
0:00
0:00 0:00
Available On Air Stations

David and Art - The Enigmatic World

Remembering a Belgian painter who brought dream images and the unconscious into his art.

Of all the artistic movements of the 20th century whose content and style seem most designed to baffle viewers, surrealism ranks pretty much toward the top. And few surrealists had as great an effect on art, and on our image of surrealism, as did Belgian painter Rene Magritte.

Magritte was born in Lessines, Belgium in November 1898. He began taking drawing lessons in 1910 and proved very talented. Four years later, WWI intervened. During the war, Magritte studied at the Royal Academy of Fine Arts in Brussels. (The earliest paintings he turned out tended to copy the style of the impressionists, but they weren't really where his heart and eye were leading him.

In the early 1920s he worked as a designer for a wallpaper factory and then went into designing posters and advertising work, all the while continuing to paint. An odd and mysterious painting in 1926 called The Lost Jockey hinted at the style he was ultimately chasing, and he had his first solo exhibit in Brussels in 1927. It wasn't as well received as he'd hoped. Depressed, he moved to Paris where he fell in with a group of artists called the "surrealists." Their art was heavily influenced by dreams and the unconscious, along with a huge distrust of human reason itself, brought on by the horrors of World War One. Magritte was soon being included in exhibits alongside artists like Salvador Dali, Max Ernst, Joan Miro, and Pablo Picasso. Eventually he wound up back in Brussels with its distinctive cultural energy and continued to work. He died there in 1967.

In Brussels today there's a Magritte Museum that's dedicated to him and his work exclusively. I recently dropped in on it and was bowled over. First of all though, most of his really famous pieces-the ones you've probably seen, even if you've never heard of Magritte-aren't here. Those are scattered among major museums around the world: the MOMA in New York; the Tate in London; the National Gallery in DC, just for starters.

But still, you'll never see so many of his paintings together anywhere and that alone is worth it. Seeing more of his works together, instead of just one or two big hits, really pays off when you're trying to understand an artist.

The best thing that some great art can do is remind us that we're complicated. Humans don't function purely on reason. We're not supposed to. And we're not built to be purely materialistic. We need more than that. We're more complicated than that.

And we have Magritte to remind us.

RECENT EPISODES OF DAVID AND ART
David and Art - Art and National Identity, Part 2
Ideas about national identity don’t just show up in politics—they show up in art and architecture, too. Today on David and Art, host David Smith continues that conversation.
David and Art - "Art and National Identity"
David Smith gives some insight as to how nations use are and architecture to define who they are.
David and Art - "The Art of a Seapower"
Art doesn't just reflect history - it can shape how we see ourselves.
David and Art - “The Theater and the University”
College campuses are places for discovery, and not all of it happens in a classroom. Today on David and Art, host David Smith looks at the role theater can play in a university education.
David and Art - John Cale
Today on David and Art, host David Smith traces the unusual path of a musician whose work helped bridge classical experimentation and rock and roll.
David and Art - A Little Global Perspective
On today's David and Art, David Smith connects Art and History through paintings that reveal how Europe followed the American Civil War, in real time.
David and Art - Open Mic Night
On today’s David and Art, host David Smith takes us inside a jazz club in New York’s West Village for a look at what happens when musicians who’ve never met share a stage—and what that kind of collaboration can teach us.
David and Art - The Artists and the President
Continuing his exploration of the problematic background behind Lynden B. Johnson's White House Arts festival, here's David Smith with this weeks installment of David and Art.
David and Art - When the Art World Came to washington
Despite his advocacy for the arts, Lyndon B. Johnson's tenure in the White House also brought political friction to the creative consciousness of 1960's America. With this week's edition of David and Art, here's David Smith.
David and Art - A Memorial to a Fallen President
On today’s David and Art, host David Smith continues the story of the Kennedy Center, this time focusing on how it became a memorial to a fallen president and what that shift mean for the future of the project.

David Smith, host of David and Art, is an American historian with broad interests in his field. He’s been at Baylor University since 2002 teaching classes in American history, military history, and cultural history. For eight years he wrote an arts and culture column for the Waco Tribune-Herald, and his writings on history, art, and culture have appeared in other newspapers from the Wall Street Journal to the Dallas Morning News.