Shout! Black Gospel Music Moments
Sundays 8:35 am; Mondays at 4:48am. 6:48am, 8:48am and 5:48pm.
Author and Baylor University professor Robert Darden tells stories - and plays recordings - from the Baylor University Libraries' Black Gospel Music Restoration Project in an on-going weekly series of two-minute segments. Shout! Black Gospel Music Moments explores the distinctly African-American sound of the "Golden Age of Gospel" (1945-1975). The series celebrates this fertile musical period in American history, presenting cultural snapshots that reveal the depth of a people, their community, and the influence they have had on the rest of American music.
Latest Episodes
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The Williams Family and the legendary Canton Spirituals combine for one of the funkiest Christmas songs of all time, “Down Home in Mississippi". -
The Rev. H.B. Crum and His Mighty Golden Keys, “I Can Feel Him” is an exciting example of gospel’s transition from traditional doo-wop harmonies to a more soulful sound. -
The Rev. Johnny “The Hurricane” Jones preached and sang at Second Mount Olive Baptist Church in Atlanta for nearly 60 years!
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The Willie Webb Singers showcased Willie’s amazing keyboards, vocals and songwriting.
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Mahalia Jackson’s majestic, magnificent version of “City Called Heaven” is one of the great powerhouse vocals in gospel music history.
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The powerhouse vocals of Christine Clark dominate Evangelist Eddie Williams and the Crusader’s arrangement of “Abraham, Martin & John.” -
Sister Jessie Mae Renfro excelled at the kind of slow, bluesy gospel surge song, like this one – “He’s So Wonderful.”
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The Famous Blue Jay Singers novelty release “Clanka Lanka” celebrates one of the most famous phrases in gospel quartet singing history.
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The Hampton Institute Quartet’s rendition of the beloved cam meeting singalong, “Old Time Religion,” dates back to 1939.
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The Congregational Church Choir’s scratchy “I Want to be Ready” is a rare and wonderful example of a jubilee song from 1927.
