© 2026 KWBU
Play Live Radio
Next Up:
0:00
0:00
0:00 0:00
Available On Air Stations

David and Art - A Federal Arts Commission, Then and Now

In his last episode of David and Art, host David Smith traced how the government first started wrestling with its role in the arts. Today, he rolls back the clock to look at how that push-and-pull actually began.

Last week we talked about a 1953 report by a US government agency called the Commission of Fine Arts. The CFA is supposed to have a big say in the creation of things like the nation’s memorials and monuments, as well as the construction or destruction of public buildings. Historical preservation is one of its mandates as well.

I’m teaching a class in the history of the presidency this semester and it just so happened in the last couple of weeks we were talking about the administrations of Theodore Roosevelt and William Howard Taft. That’s the era when the CFA began. It’s 115 years old this year.

When he wasn’t speaking softly and swinging his big stick, or trying to use the new Navy to intimidate rivals, Roosevelt was often thinking about art and culture. “There should be a national gallery of art established in the capital city of this country,” he announced in 1907. “This is important not merely to the artistic but to the material welfare of the country.”

By the end of his second term in office, Theodore Roosevelt believed the federal government had to get more involved in the nation’s art simply because there were too many good things the government could do for it to remain idle. In January 1909, he issued an executive order creating a federal Fine Arts Commission to advise and direct the artistic and architectural development of the nation’s capital.

When word of Roosevelt’s action reached Capitol Hill, Congress was indignant. Many representatives and senators opposed the move, not because they had any fundamental disagreement with the idea, but because this seemed to be just another typical Roosevelt encroachment on the rights and prerogatives of the legislative branch. Incoming President William Howard Taft agreed that the council needed congressional sanction, and shortly after his inaugural he abolished it. But he immediately encouraged Congress to create a replacement, which it quickly did. It’s first members included Famed architect Daniel H. Burnham, renowned painter Francis Millet, and sculptor Daniel Chester French who a few years later created the statue of Lincoln sitting in the Lincoln Memorial. Architect Cass Gilbert who designed the Woolworth Building in New York which was the tallest building in the world when it opened in 1913 was another member. From that point forward the Commission of Fine Arts enjoyed legislative sanction and functioned efficiently.

But these days it’s not listened to as much as it used to be. At the end of last month, the White House announced it had fired all six remaining members of the Commission. The Chair position was already vacant. At the same time, the entire East Wing of the White House was torn down. Theodore Roosevelt by the way, was president when the East Wing was built.

RECENT EPISODES OF DAVID AND ART
David and Art - A Little Global Perspective
On today's David and Art, David Smith connects Art and History through paintings that reveal how Europe followed the American Civil War, in real time.
David and Art - Open Mic Night
On today’s David and Art, host David Smith takes us inside a jazz club in New York’s West Village for a look at what happens when musicians who’ve never met share a stage—and what that kind of collaboration can teach us.
David and Art - The Artists and the President
Continuing his exploration of the problematic background behind Lynden B. Johnson's White House Arts festival, here's David Smith with this weeks installment of David and Art.
David and Art - When the Art World Came to washington
Despite his advocacy for the arts, Lyndon B. Johnson's tenure in the White House also brought political friction to the creative consciousness of 1960's America. With this week's edition of David and Art, here's David Smith.
David and Art - A Memorial to a Fallen President
On today’s David and Art, host David Smith continues the story of the Kennedy Center, this time focusing on how it became a memorial to a fallen president and what that shift mean for the future of the project.
David and Art - JFK and the Arts
The early 1960s brought a different tone to Washington. On today’s David and Art, host David Smith looks at how President Kennedy connected with the arts in a very public way, and why that mattered.
David and Art - The Kennedy Center, Part 4
Concluding his exploration of the historical Kennedy Center, here's David Smith with this week's edition of David and Art.
David and Art - The Kennedy Center, Part 3
The plan for a national performing arts center was on paper — but getting it built turned out to be another matter. On today’s David and Art, David Smith continues the Kennedy Center story.
David and Art - The Kennedy Center, Part 2
The history of the Kennedy Center is anything but straightforward. On today’s David and Art, host David Smith reveals how big ideas start colliding with practical reality.
David and Art - The Kennedy Center, Part 1
The Kennedy Center is one of Washington’s most visible cultural institutions, but its origin story is less straightforward than you might expect. David Smith begins that story on today’s David and Art.

David Smith, host of David and Art, is an American historian with broad interests in his field. He’s been at Baylor University since 2002 teaching classes in American history, military history, and cultural history. For eight years he wrote an arts and culture column for the Waco Tribune-Herald, and his writings on history, art, and culture have appeared in other newspapers from the Wall Street Journal to the Dallas Morning News.