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SHOUT! Black Gospel Music Moments - The Mighty Skylights

The Mighty Skylights were part of the even mightier Vee-Jay Records' roster of gospel artists in the late 1950s.

In the 1950s, the Vee-Jay label in Chicago tuled multiple genres in record music - doo wop, blues, gospel and even pop music with the Four Seasons and the first Beatles albums. As one of the first Black owned labels in the country, Vee-Jay's releases have always been worth seeking out...including classic albums by the Staples Singers, the Swan Silvertones, the Blind Boys of Mississippi, and others.

One of the lesser known artists on the label are the relatively obscure Mighty Skylights. The grouo, which came out of doo wop, along with labelmates the Spaniels, the Dells and the El Dorados, were a unique combination of smooth harmonies and a raspy-coiced (and sadly uncredited) lead singer - who sounds more like Janis Joplin than anyone else! From 1957, here's the Skylights singing Thurmon Ruth's "I Need Thee."

2331 Mighty Skylights - I Need Thee

MUSIC: The Mighty Skylights, "I Need Thee," - 45.

I'm Robert Darden..."Shout! Black Gospel Music Moments" is produced by KWBU, the Black Gospel Music Preservation Program at Baylor University Libraries and is funded by generous support from the Prichard Foundation.

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SHOUT! Black Gospel Music Moments - The Patterson Singers
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SHOUT! Black Gospel Music Moments - Swanee Quintet
In there more than 70 years together, the Swanee Quintet released a host of great gospel songs, including this one - “The Lord’s on My Side.”
SHOUT! Black Gospel Music Moments - Dorothy Love Coates and the Original Harmonettes
The legendary Dorothy Love Coates was one of the true stars of gospel music and her powerful “99 ½ Won’t Do” was adopted as a freedom song during the civil rights movement.
SHOUT! Black Gospel Music Moments - The Rev. Morgan Babb
The Rev. Morgan Babb’s passionate version of “Lord, You’ve Been Good to Me” spontaneously emerges from the altar call during one of his legendary sermons.

Robert F. Darden is the author of two dozen books, most recently: Nothing But Love in God’s Water, Volume II: Black Sacred Music from Sit-In to Resurrection City (Penn State University Press, 2016); Nothing But Love in God’s Water, Volume I: Black Sacred Music from the Civil War to the Civil Rights Movement(Penn State University Press, 2014); Jesus Laughed: The Redemptive Power of Humor(Abingdon Press, 2008), Reluctant Prophets and Clueless Disciples: Understanding the Bible by Telling Its Stories(Abingdon Press, 2006); and People Get Ready! A New History of Black Gospel Music(Continuum/Bloomsbury, 2004).